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Rome Jubilee Digs Uncover Artifacts
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January 11, 2000
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by Roberto Bartoloni
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![[image]](http://www.archaeology.org/online/news/thumbnails/jubilee/jubilee1.gif) |
Excavations near the Temple of Peace, left, [LARGER IMAGE] yielded a bronze head of the philosopher Chrysippos, right, [LARGER IMAGE] and a fragment of a marble map of Rome. (Courtesy Roberto Bartoloni) |
![[image]](http://www.archaeology.org/online/news/thumbnails/jubilee/jubilee2.gif) |
A philosopher's head, a mosaic depicting a hunting scene, a fragment of a map of ancient Rome, a column base depicting the life of Hercules;
excavations associated with Rome's Jubilee celebrations (see "Rome 2000," January/February 2000) are yielding a bounty of antiquities. The
philosopher's head, that of the third-century B.C. stoic Chrysippos, and
the map fragment, which depicts the eastern corner of the Forum of
Augustus, were recovered by the Archaeological Superintendency of the
Municipality of Rome in the area of the Templum Pacis (Temple of Peace).
Silvana Rizzo, director of the excavations, says the head most likely dates
to the first century A.D. and might have been part of a display of the
busts of philosophers within the temple. Chrysippos' stoicism had many
adherents among the Empire's well-to-do. Rizzo suspects that the map
fragment, etched on a marble slab that was possibly later rejected for
imperfections, pre-dates a well-known map of the city created by order of
Septimius Severus (A.D. 193-211) since it does not include a tower built
during the Flavian dynasty (A.D. 69-96). If this is so, the fragment could
represent the results of a topographic survey conducted by order of Augustus.
Meanwhile, Giovanni Caruso, also of Rome's Archaeological Superintendency,
has uncovered a mosaic with vivid hunting scenes in the same area of
Trajan's Baths where a fresco depicting an ancient city was recovered two
years ago (see "Ancient Cityscape," May/June 1998). The mosaic, composed of
limestone and basalt tesserae, covered the floor of a 45-by-27 foot room in
the central part of the baths. The part that remains visible depicts a
wounded lion, a large beast, perhaps a tiger, biting a man's leg; and a
bear or wild boar. Also shown is a man clothed in a hunter's garb, which
includes a long-sleeved tunic and a cloak fastened on his shoulders with
two circular buckles. Above his head is the inscription "Cupido," which the
excavators have interpreted as his name. Cupido's hair style and the way
his nose is represented as an upside down seven have led Caruso to ascribe
the mosaics to the time of the construction of the baths under the rule of
Trajan (A.D. 98-117).
Finally, a remarkably well-preserved marble column base depicting the life
of Hercules on its four sides has come to light in a paved area behind the
stage of the ancient Theater of Marcellus between the Tiber and the western
slope of the Capitoline Hill. The base was found within a medival structure
and remains only slightly displaced from its original position on a marble
step. The base first shows Hercules as a baby strangling snakes; the second
side as an adult posing next to Zeus, his father, and Telephus, his son;
the third and fourth faces, as yet not fully recovered, show a seated woman and
Hercules surrounded by the vault of heaven.
![[image]](http://www.archaeology.org/online/news/thumbnails/jubilee/jubilee7.gif) |
Carved marble column base shows the infant Hercules killing snakes, left, [LARGER IMAGE] and Hercules with his son Telephus and a doe, right. [LARGER IMAGE] (Courtesy Roberto Bartoloni) |
![[image]](http://www.archaeology.org/online/news/thumbnails/jubilee/jubilee8.gif) |

© 2000 by the Archaeological Institute of America www.archaeology.org/online/news/jubilee.html |
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