|
Stealing History
|
June 21, 2000
|
by Mark Rose
|
Publication of a major new study on the illicit exploitation of
cultural
resources--Stealing History: The Illicit Trade in Cultural Material--was
announced at a press conference Monday, June 12, in London. The study,
commissioned by United Kingdom branch of the International Council of
Museums and the Museums Association, was authored by Neil Brodie, Jenny
Doole, and Peter Watson and published by the McDonald Institute for
Archaeological Research in Cambridge.
The authors present a brief history of looting, museum policy, and law
from
the 1960s to the 1970 UNESCO Convention, asking have things improved
since
then. The answer is no, with antiquities from Asia and Africa flooding
the
market, interest in ethnographic ("tribal") art, targeting of religious
artworks from sculptures in Buddhist temples to frescoes and icons in
Christian churches, and marketing of illicitly obtained objects on the
Internet. Other sections address the importance of context and debate
the
justifications employed by some unscrupulous dealers and collectors to
justify an illicit market.
Among the examples used to illustrate particular points or as case
studies,
are the Khmer temple of Banteay Chmar; mosaics from Kanakariá, Cyprus;
Lydian treasure from Turkey; Moche tombs of Sipán, Peru; Getty kouros;
Wanborough Romano-British temple; Apulian vases from Italy; Britain's
Salisbury Hoard; and Mali.
Who profits from all of the looting? The figures, as laid out in
Stealing
History, point to middlemen as the big winners. Maya ceramics from the
Petén that bring the looter $200 to $500, may ultimately fetch
$100,000. In
the case of five big-ticket items (a Song Dynasty head, Morgantina
acroliths, Euphronius krater, Achyris phiale, and Marsyas statue),
where we
know the initial payout and the final price, middlemen received 98% of
the
money.
What can be done about the current state of affairs? Stealing History
offers a detailed set of recommendations for stemming the looting and
illicit trade. While many of these are particular to the United
Kingdom,
such as ratification of the 1970 UNESCO Convention, others are
universal in
application and address key problems.
A number of their recommendations are directed to museums, which, they
say,
should:
- not acquire provenanced items whose accompanying documentation fails
to
comply with the export regulations of their country of origin, unless
there
is reliable documentation to show that they were exported from their
country of origin before 1970.
- not acquire unprovenanced items because of the strong risk that they
have
been looted.
- apply the same strict rules to gifts and bequests and loans as they
do to
purchases.
- decline to offer expertise on, or otherwise assist the current
possessor
of, unprovenanced items because of the risk that they may have been
looted.
- inform the appropriate authorities if they have reason to suspect an
item
has been illicitly obtained.
- seize opportunities to raise public awareness of the scale and
destructive impact of the illicit trade.
Not all of this report is doom-and-gloom. Positive steps by museums are
highlighted, such as the return of a carved wooden lintel to Guatemala
by
the Denver Art Museum (even though it had been removed from Maya site
and
acquired before U.S. legislation prohibiting its importation) and
cooperation between British and American museums and antiquities
authorities in other countries. Also discussed are a number of
exhibitions--in Mali, Jordan, Italy, and elsewhere--and other initiatives
(including comic books) geared toward educating the public about
looting
and the need to protect archaeological sites.
One of the key points made by the authors is that the trade has to be
transparent, that is the veil of secrecy over the history of objects
being
offered for sale on the art market must be lifted. Auction houses and
dealers, say Brodie, Doole, and Watson, must "record and, when it is in
the
public interest, disclose the names of individuals or organisations
from
whom they purchase materials." Such open records would go far toward
identifying those objects in collections from long ago as opposed to
those
that have just "surfaced" (with no history and likely either looted or
forged). Ultimately, the authors note, it is up to any individual or
institution that chooses to buy such material to demand clear and
unambiguous proof that it is not looted. (After all you wouldn't buy
your
car from a stranger standing on a street corner--even if they wear a
suit
and stand on a swank street corner--who doesn't have title to it.) Doing
anything less risks promoting the looting of sites and forging of
antiquities, on the one hand, and, on the other, it potentially leaves
the
purchaser open to a lawsuit by a country or museum with a rightful
claim to
what is stolen property.
As the authors of Stealing History say, and Manus Brinkman, secretary
general of the International Council of Museums, repeats in his
foreword to
the volume, "Nobody has to collect illicit material."
© 2000 by the Archaeological Institute of America archive.archaeology.org/online/news/stealhist.html |