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Trash Talk

Sorting through a mountain of pottery to track the Roman oil trade

By JARRETT A. LOBELL

Tuesday, January 13, 2015

Mount-Testaccio-ExcavationEach day excavators remove bucketfuls of amphorae from the 150-foot-tall Monte Testaccio. The artificial hill is made up almost entirely of olive oil amphoras from the ancient Roman province of Baetica in southern Spain.

 

In the middle of Rome’s trendiest neighborhood, surrounded by sushi restaurants and nightclubs with names like Rodeo Steakhouse and Love Story, sits the ancient world’s biggest garbage dump—a 150-foot-tall mountain of discarded Roman amphoras, the shipping drums of the ancient world. It takes about 20 minutes to walk around Monte Testaccio, from the Latin testa and Italian cocci, both meaning “potsherd.” But despite its size—almost a mile in circumference—it’s easy to walk by and not really notice unless you are headed for some excellent pizza at Velavevodetto, a restaurant literally stuck into the mountain’s side. Most local residents don’t know what’s underneath the grass, dust, and scattering of trees. Monte Testaccio looks like a big hill, and in Rome people are accustomed to hills.

 

Although a garbage dump may lack the attraction of the Forum or Colosseum, I have come to Rome to meet the team excavating Monte Testaccio and to learn how scholars are using its evidence to understand the ancient Roman economy. As the modern global economy depends on light sweet crude, so too the ancient Romans depended on oil—olive oil. And for more than 250 years, from at least the first century A.D., an enormous number of amphoras filled with olive oil came by ship from the Roman provinces into the city itself, where they were unloaded, emptied, and then taken to Monte Testaccio and thrown away. In the absence of written records or literature on the subject, studying these amphoras is the best way to answer some of the most vexing questions concerning the Roman economy—How did it operate? How much control did the emperor exert over it? Which sectors were supported by the state and which operated in a free market environment or in the private sector?

 

Mount-Testaccio-AerialMonte Testaccio stands near the Tiber River in what was ancient Rome’s commercial district. Many types of imported foodstuffs, including oil, were brought into the city and then stored for later distribution in the large warehouses that lined the river. So, professor, just how many amphoras are there?” I ask José Remesal of the University of Barcelona, co-director of the Monte Testaccio excavations. It’s the same question that must occur to everyone who visits the site when they realize that the crunching sounds their footfalls make are not from walking on fallen leaves, but on pieces of amphoras. (Don’t worry, even the small pieces are very sturdy.) Remesal replies in his deep baritone, “Something like 25 million complete ones. Of course, it’s difficult to be exact,” he adds with a typical Mediterranean shrug. I, for one, find it hard to believe that the whole mountain is made of amphoras without any soil or rubble. Seeing the incredulous look on my face as I peer down into a 10-foot-deep trench, Remesal says, “Yes, it’s really only amphoras.” I can’t imagine another site in the world where archaeologists find so much—about a ton of pottery every day. On most Mediterranean excavations, pottery washing is an activity reserved for blisteringly hot afternoons when digging is impossible. Here, it is the only activity for most of Remesal’s team, an international group of specialists and students from Spain and the United States. During each year’s two-week field season, they wash and sort thousands of amphoras handles, bodies, shoulders, necks, and tops, counting and cataloguing, and always looking for stamped names, painted names, and numbers that tell each amphora’s story.

 

Although scholars worked at Monte Testaccio beginning in the late 19th century, it’s only within the past 30 years that they have embraced the role amphoras can play in understanding the nature of the Roman imperial economy. According to Remesal, the main challenge archaeologists and economic historians face is the lack of “serial documentation,” that is, documents for consecutive years that reflect a true chronology. This is what makes Monte Testaccio a unique record of Roman commerce and provides a vast amount of datable evidence in a clear and unambiguous sequence. “There’s no other place where you can study economic history, food production and distribution, and how the state controlled the transport of a product,” Remesal says. “It’s really remarkable.”

 

 

Slideshow:
Testaccio-Intro-Image
What's in a Name?

Erbil Revealed

How the first excavations in an ancient city are supporting its claim as the oldest continuously inhabited place in the world

By ANDREW LAWLER

Saturday, August 09, 2014

ARCHAEOLOGY contributing editor Andrew Lawler recently reported on the 6,000-year-history of the citadel of Erbil in Iraqi Kurdistan. As the humanitarian and military crisis unfolds in Iraq, we present Lawler's story, which appears in ARCHAEOLOGY's September/October 2014 issue.

 

Erbil-Citadel-AerialThe booming city of Erbil (ancient Arbela) in Kurdistan encircles the ancient citadel where evidence of more than six millennia of human habitation is just beginning to be uncovered.

 

The 100-foot-high, oval-shaped citadel of Erbil towers high above the northern Mesopotamian plain, within sight of the Zagros Mountains that lead to the Iranian plateau. The massive mound, with its vertiginous man-made slope, built up by its inhabitants over at least the last 6,000 years, is the heart of what may be the world’s oldest continuously occupied settlement. At various times over its long history, the city has been a pilgrimage site dedicated to a great goddess, a prosperous trading center, a town on the frontier of several empires, and a rebel stronghold.

 

Yet despite its place as one of the ancient Near East’s most significant cities, Erbil’s past has been largely hidden. A dense concentration of nineteenth- and twentieth-century houses stands atop the mound, and these have long prevented archaeologists from exploring the city’s older layers. As a consequence, almost everything known about the metropolis—called Arbela in antiquity—has been cobbled together from a handful of ancient texts and artifacts unearthed at other sites. “We know Arbela existed, but without excavating the site, all else is a hypothesis,” says University of Cambridge archaeologist John MacGinnis.

 

Last year, for the first time, major excavations began on the north edge of the enormous hill, revealing the first traces of the fabled city. Ground-penetrating radar recently detected two large stone structures below the citadel’s center that may be the remains of a renowned temple dedicated to Ishtar, the goddess of love and war. There, according to ancient texts, Assyrian kings sought divine guidance, and Alexander the Great assumed the title of King of Asia in 331 B.C. Other new work includes the search for a massive fortification wall surrounding the ancient lower town and citadel, excavation of an impressive tomb just north of the citadel likely dating to the seventh century B.C., and examination of what lies under the modern city’s expanding suburbs. Taken together, these finds are beginning to provide a more complete picture not only of Arbela’s own story, but also of the growth of the first cities, the rise of the mighty Assyrian Empire, and the tenacity of an ethnically diverse urban center that has endured for more than six millennia. Located on a fertile plain that supports rain-fed agriculture, Erbil and its surrounds have, for thousands of years, been a regional breadbasket, a natural gateway to the east, and a key junction on the road connecting the Persian Gulf to the south with Anatolia to the north. Geography has been both the city’s blessing and curse in this perennially fractious region. Inhabitants fought repeated invasions by the soldiers of the Sumerian capital of Ur 4,000 years ago, witnessed three Roman emperors attack the Persians, and suffered the onslaught of Genghis Khan’s cavalry in the thirteenth century, the cannons of eighteenth-century Afghan warlords, and the wrath of Saddam Hussein’s tanks only 20 years ago. Yet, through thousands of years, the city survived, and even thrived, while other once-great cities such as Babylon and Nineveh crumbled.

 

Rock Art of Comanche Warriors

Wednesday, March 26, 2014

In New Mexico's Rio Grande Gorge, Barnard College archaeologist Severin Fowles and his team have recorded hundreds of panels of barely visible rock art left by Comanche around a basin known as the Vista Verde site. Groups of Comanche traveled to the area from the Great Plains during the early eighteenth century to take part in raiding or trading expeditions. Many of the panels depict warriors on horseback fighting other Native Americans or capturing horses. Unlike most rock art, which often represents timeless, ritually important subjects, these panels appear to depict real-life events, perhaps traced on the rocks by warriors eager to remind their fellow Comanche of their brave exploits. Below are tracings Fowles and his team made of some of the panels, which were scratched onto basalt boulders.

 

Panel-Rock-Art-Comanche

 

This detail of a panel at the Vista Verde site may depict a single Comanche engaged in feral horse raiding. In the upper left corner the warrior is visibly on horseback, with his headress flowing behind him. The wild horse to the immediate right appears to have a lasso around its neck, and the larger horse below may have an arrow lodged in its body. At the bottom of the panel are semi-circle abrasions around a natural hole in the rock. They may depict hoove prints around a watering hole, represented by the hole. According to tradition, one Comanche horse raiding tactic was to capture feral horses while they gathered around sources of water. 

 

 

 

 

Tepees-Indian-Conflcit

 

This panel appears to depict a Native American, probably Comanche, raid in progress at a tepee encampment. The mounted warrior on the lower left has lines connecting him with another figure. This could be a representation of the act of "counting coup," or physically touching your opponent in battle without a weapon, which was considered the greatest act of bravery a Plains Indian could commit in battle. The Comanche were known as fierce warriors. The very word "Comanche" comes from a Ute term that translates as "anyone who wants to fight me all the time." Outside some of the teppees in this panel are circles on top of three or four lines. These probably represent personal shields, which Plains Indians rested on tripods outside their tepees to represent their owners. 

 

 

Comanche-Rock-Art-Battle

 

Reminiscent of a football coach’s chalkboard diagramming plays this rock art panel depicts several different warriors on foot wearing headdresses and bearing shields. To the upper left the initials “E.T.” are visible, a reminder that cowboys, herders, and modern tourists have left their own graffiti on the same boulders used by the Comanche. Lines likely depicting the act of counting coup connect several of the warriors on this panel.  

 

 

Comanche-Village-Tracings

Some two-dozen tepees are depicted on this boulder, which seems to show Comanche warriors mounting their horses, perhaps in preparation for a raid or trading mission to a nearby settlement. Depictions of tepees are one of the most common scenes found around the Vista Verde site, and it’s possible this panel is a sketch of the site itself. 

 

 


 

 

 

Feature Article:
Comanche-Empire-Chief
Searching for the Comanche Empire

Etruscan Finds at the "Necropolis of the Pub"

By JARRETT A. LOBELL

Tuesday, June 03, 2014

For the last three years, Italian archaeologists have been excavating a large Etruscan necropolis at the site of Vulci, 75 miles from Rome. Called (for reasons now obscure) the “Necropoli dell’Osteria,” or "Necropolis of the Pub," the large cemetery's most spectacular burial has been been dubbed "The Tomb of the Silver Hands," after the discovery of a pair of silver hands once adorned a wooden dummy. But the team has also uncovered dozens of other tombs containing remains and grave goods belonging to Etruscan nobles and common folk alike who lived in this region of Italy more than 2,500 years ago. Below is a selection of some of the most interesting artifacts from the site.

 

 

Etruscan-Necropolis-Altars


Among the many tombs in the necropolis, the team also found a small rectangular altar (left) that once held a jar containing cremated remains, and impressive tomb (right) filled with artifacts, including a pair of silver hands, that likely belonged to an Etruscan noble family.

 

 

Etruscan-Necopolis-SphinxAnother wealthy tomb, excavated in 2012 near the “Tomb of the Silver Hands,” contained this spectacular stone figure of a sphinx.

 

 

Etruscan-Necropolis-ScarabThe “Tomb of the Sphinx” also contained a blue faience scarab dating from sometime in the 25th or 26th Dynasty (746-525 B.C.). The Etruscans were particularly fond of Egyptian objects, many of which are found in tombs in this and other Etruscan tombs.

 

 

Etruscan-Necropolis-Family-GraveAlong with the tombs belonging to Etruscan nobility, archaeologists also found small family tombs like this one in the necropolis containing at least one, and possibly several, pottery jars in which the deceased cremated remains were buried.

 

 

Etruscan-Necropolis-Terracotta-DecorationMany of the artifacts, such as this painted terracotta architectural element from a well-decorated tomb in the necropolis, have been taken to a nearby lab to be reassembled, if possible, and conserved.

Animal Mummy Coffins of Ancient Egypt

By ERIC A. POWELL

Thursday, January 30, 2014

In ancient Egypt, the practice of mummifying animals became widespread in the first millenium B.C. Until the advent of Christianity, visitors to temples could buy animal mummy bundles as offerings to the gods. Wealthier pilgrims could also splurge on elaborate coffins shaped as creatures to hold these mummies, which ancient Egyptians probably believed represented the souls of the gods. Along with the sale of animal mummies, the production of lavish bronze and wooden coffins must have been an important source of revenue for temples.

 

The coffins below illustrate the wide array of animal forms taken by Egyptian gods. They will accompany 30 newly rediscovered animal mummies in The Brooklyn Museum's traveling exhibit Soulful Creatures:Animal Mummies in Ancient Egypt. The exhibit's catalogue is available at gilesltd.com

 

Egypt-Ibis-Mummy-CoffinThis bronze coffin dating to between 664 and 30 B.C. held an ibis bundle, the most common type of animal mummy in ancient Egypt.
 
 
 
 
Epgyptian-Cat-Mummy-CoffinThis wooden coffin held a complete mummified cat, an animal that became popular as a domestic pet in the first millennium B.C. and was associated with the goddess Bastet.
 
 
 
 
Egypt Hawk Mummy CoffinA bronze coffin, possibly from the animal necropolis at Saqqara, Egypt, was dedicated to the falcon god Horus.
 
 
 
 
Egypt Snake Mummy CoffinThis bronze cobra coffin with the head of a human wearing a crown represents the god Atum, who was thought to have swum in primordial waters before creating the world.
 
 
 
 
Egypt Crocodile Mummy CoffinBaby crocodile mummies in wooden coffins like this were used by ancient Egyptians seeking the help of the crocodile god Sobek.
 
 
 
 
Egypt Shrew Mummy Coffin

 

 

Feature:
Ibis Shrew Animal Mummies
Messengers to the Gods

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