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Shipwrecks of Thunder Bay

Monday, January 12, 2015

Lake Huron’s Thunder Bay sits in the middle of the Great Lakes waterway system, where navigational hazards and storms have left a trail of shipwrecks. Deputy editor Samir S. Patel visited “Shipwreck Alley” for ARCHAEOLOGY's January/February 2015 issue and dove with underwater archaeologists who are documenting centuries worth of well-preserved vessels—each a key part of the history of shipping on the lakes and the settlement and industrialization of the American continent. Below are images of these extraordinary vessels.





Vessel type: Wooden side-wheel steamboat

Length: 165 feet Year launched: 1838

Year lost: 1849

Cargo: Passengers and freight

Cause of loss: Ran aground

Depth: 13 feet






Vessel type: Wooden twin-screw passenger/package freighter

Length: 200 feet

Year launched: 1863

Year lost: 1865

Cargo: Copper and iron ore, passengers

Cause of loss: Collision Depth: 165 feet






Vessel type: Steel ocean freighter

Length: 471 feet

Year launched: 1954

Year lost: 1966

Cargo: Rolled steel

Cause of loss: Ran aground

Depth: 40 feet






Vessel type: Wooden side-wheel steamboat

Length: 165 feet

Year launched: 1838

Year lost: 1849

Cargo: Passengers and freight

Cause of loss: Ran aground

Depth: 13 feet 





Vessel type: Wooden steam barge

Length: 236 feet

Year built: 1872

Year lost: 1914

Cargo: None

Cause of loss: Fire

Depth: 65 feet






Vessel type: Steel bulk freighter

Length: 296 feet

Year built: 1891

Year lost: 1906

Cargo: None

Cause of loss: Foundered

Depth: 100 feet



Erbil Revealed

How the first excavations in an ancient city are supporting its claim as the oldest continuously inhabited place in the world


Saturday, August 09, 2014

ARCHAEOLOGY contributing editor Andrew Lawler recently reported on the 6,000-year-history of the citadel of Erbil in Iraqi Kurdistan. As the humanitarian and military crisis unfolds in Iraq, we present Lawler's story, which appears in ARCHAEOLOGY's September/October 2014 issue.




The 100-foot-high, oval-shaped citadel of Erbil towers high above the northern Mesopotamian plain, within sight of the Zagros Mountains that lead to the Iranian plateau. The massive mound, with its vertiginous man-made slope, built up by its inhabitants over at least the last 6,000 years, is the heart of what may be the world’s oldest continuously occupied settlement. At various times over its long history, the city has been a pilgrimage site dedicated to a great goddess, a prosperous trading center, a town on the frontier of several empires, and a rebel stronghold.


Yet despite its place as one of the ancient Near East’s most significant cities, Erbil’s past has been largely hidden. A dense concentration of nineteenth- and twentieth-century houses stands atop the mound, and these have long prevented archaeologists from exploring the city’s older layers. As a consequence, almost everything known about the metropolis—called Arbela in antiquity—has been cobbled together from a handful of ancient texts and artifacts unearthed at other sites. “We know Arbela existed, but without excavating the site, all else is a hypothesis,” says University of Cambridge archaeologist John MacGinnis.


Last year, for the first time, major excavations began on the north edge of the enormous hill, revealing the first traces of the fabled city. Ground-penetrating radar recently detected two large stone structures below the citadel’s center that may be the remains of a renowned temple dedicated to Ishtar, the goddess of love and war. There, according to ancient texts, Assyrian kings sought divine guidance, and Alexander the Great assumed the title of King of Asia in 331 B.C. Other new work includes the search for a massive fortification wall surrounding the ancient lower town and citadel, excavation of an impressive tomb just north of the citadel likely dating to the seventh century B.C., and examination of what lies under the modern city’s expanding suburbs. Taken together, these finds are beginning to provide a more complete picture not only of Arbela’s own story, but also of the growth of the first cities, the rise of the mighty Assyrian Empire, and the tenacity of an ethnically diverse urban center that has endured for more than six millennia. Located on a fertile plain that supports rain-fed agriculture, Erbil and its surrounds have, for thousands of years, been a regional breadbasket, a natural gateway to the east, and a key junction on the road connecting the Persian Gulf to the south with Anatolia to the north. Geography has been both the city’s blessing and curse in this perennially fractious region. Inhabitants fought repeated invasions by the soldiers of the Sumerian capital of Ur 4,000 years ago, witnessed three Roman emperors attack the Persians, and suffered the onslaught of Genghis Khan’s cavalry in the thirteenth century, the cannons of eighteenth-century Afghan warlords, and the wrath of Saddam Hussein’s tanks only 20 years ago. Yet, through thousands of years, the city survived, and even thrived, while other once-great cities such as Babylon and Nineveh crumbled.


Rock Art of Comanche Warriors

Wednesday, March 26, 2014

In New Mexico's Rio Grande Gorge, Barnard College archaeologist Severin Fowles and his team have recorded hundreds of panels of barely visible rock art left by Comanche around a basin known as the Vista Verde site. Groups of Comanche traveled to the area from the Great Plains during the early eighteenth century to take part in raiding or trading expeditions. Many of the panels depict warriors on horseback fighting other Native Americans or capturing horses. Unlike most rock art, which often represents timeless, ritually important subjects, these panels appear to depict real-life events, perhaps traced on the rocks by warriors eager to remind their fellow Comanche of their brave exploits. Below are tracings Fowles and his team made of some of the panels, which were scratched onto basalt boulders.




This detail of a panel at the Vista Verde site may depict a single Comanche engaged in feral horse raiding. In the upper left corner the warrior is visibly on horseback, with his headress flowing behind him. The wild horse to the immediate right appears to have a lasso around its neck, and the larger horse below may have an arrow lodged in its body. At the bottom of the panel are semi-circle abrasions around a natural hole in the rock. They may depict hoove prints around a watering hole, represented by the hole. According to tradition, one Comanche horse raiding tactic was to capture feral horses while they gathered around sources of water. 







This panel appears to depict a Native American, probably Comanche, raid in progress at a tepee encampment. The mounted warrior on the lower left has lines connecting him with another figure. This could be a representation of the act of "counting coup," or physically touching your opponent in battle without a weapon, which was considered the greatest act of bravery a Plains Indian could commit in battle. The Comanche were known as fierce warriors. The very word "Comanche" comes from a Ute term that translates as "anyone who wants to fight me all the time." Outside some of the teppees in this panel are circles on top of three or four lines. These probably represent personal shields, which Plains Indians rested on tripods outside their tepees to represent their owners. 





Reminiscent of a football coach’s chalkboard diagramming plays this rock art panel depicts several different warriors on foot wearing headdresses and bearing shields. To the upper left the initials “E.T.” are visible, a reminder that cowboys, herders, and modern tourists have left their own graffiti on the same boulders used by the Comanche. Lines likely depicting the act of counting coup connect several of the warriors on this panel.  




Some two-dozen tepees are depicted on this boulder, which seems to show Comanche warriors mounting their horses, perhaps in preparation for a raid or trading mission to a nearby settlement. Depictions of tepees are one of the most common scenes found around the Vista Verde site, and it’s possible this panel is a sketch of the site itself. 






Feature Article:
Searching for the Comanche Empire

Etruscan Finds at the "Necropolis of the Pub"


Tuesday, June 03, 2014

For the last three years, Italian archaeologists have been excavating a large Etruscan necropolis at the site of Vulci, 75 miles from Rome. Called (for reasons now obscure) the “Necropoli dell’Osteria,” or "Necropolis of the Pub," the large cemetery's most spectacular burial has been been dubbed "The Tomb of the Silver Hands," after the discovery of a pair of silver hands once adorned a wooden dummy. But the team has also uncovered dozens of other tombs containing remains and grave goods belonging to Etruscan nobles and common folk alike who lived in this region of Italy more than 2,500 years ago. Below is a selection of some of the most interesting artifacts from the site.




Among the many tombs in the necropolis, the team also found a small rectangular altar (left) that once held a jar containing cremated remains, and impressive tomb (right) filled with artifacts, including a pair of silver hands, that likely belonged to an Etruscan noble family.



Etruscan-Necopolis-SphinxAnother wealthy tomb, excavated in 2012 near the “Tomb of the Silver Hands,” contained this spectacular stone figure of a sphinx.



Etruscan-Necropolis-ScarabThe “Tomb of the Sphinx” also contained a blue faience scarab dating from sometime in the 25th or 26th Dynasty (746-525 B.C.). The Etruscans were particularly fond of Egyptian objects, many of which are found in tombs in this and other Etruscan tombs.



Etruscan-Necropolis-Family-GraveAlong with the tombs belonging to Etruscan nobility, archaeologists also found small family tombs like this one in the necropolis containing at least one, and possibly several, pottery jars in which the deceased cremated remains were buried.



Etruscan-Necropolis-Terracotta-DecorationMany of the artifacts, such as this painted terracotta architectural element from a well-decorated tomb in the necropolis, have been taken to a nearby lab to be reassembled, if possible, and conserved.

Animal Mummy Coffins of Ancient Egypt


Thursday, January 30, 2014

In ancient Egypt, the practice of mummifying animals became widespread in the first millenium B.C. Until the advent of Christianity, visitors to temples could buy animal mummy bundles as offerings to the gods. Wealthier pilgrims could also splurge on elaborate coffins shaped as creatures to hold these mummies, which ancient Egyptians probably believed represented the souls of the gods. Along with the sale of animal mummies, the production of lavish bronze and wooden coffins must have been an important source of revenue for temples.


The coffins below illustrate the wide array of animal forms taken by Egyptian gods. They will accompany 30 newly rediscovered animal mummies in The Brooklyn Museum's traveling exhibit Soulful Creatures:Animal Mummies in Ancient Egypt. The exhibit's catalogue is available at gilesltd.com


Egypt Hawk Mummy Coffin
Egypt Snake Mummy Coffin
Egypt Crocodile Mummy Coffin
Egypt Shrew Mummy Coffin



Ibis Shrew Animal Mummies
Messengers to the Gods