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Neolithic Enigmas in 3-D

Tuesday, August 07, 2018

National Museums Scotland used a technique called photogrammetry, which combines hundreds of still images, to produce this interactive 3-D model of several examples of 5,000-year-old stone spheres that have been found mostly in Scotland.

3-D Walkthrough of Vemork Plant

Monday, December 11, 2017

This 3-D walkthrough of the heavy water facilities at Norway’s Vemork Plant was created by Telemark County Council archaeologist Sindre Arnkværn. The plant was demolished in 1977 and little documentation or study of the site had been conducted since Operation Gunnerside in 1943. Although researchers had to make their way through demolition rubble, they still were able to understand Gunnerside’s events in the location and context in which they occurred. To read a full article on the archaeology of the site, go to “The Secrets of Sabotage.” (Courtesy Sindre Arnkværn/Telemark County Council)

 

 

 

 

Slideshow:
Article:
 Swahili Towns Sidebar1
Operation Gunnerside
Trenches Norway Vemork
The Secrets of Sabotage

 

The Dawn of Digital Music

By SAMIR S. PATEL

Friday, February 10, 2017

In 1951, the BBC recorded three melodies—“God Save the King,” “Baa Baa Black Sheep,” and Glenn Miller’s “In the Mood"—generated by mathematician Alan Turing's pioneering Mark II computer. It is the earliest known recording of computer music​. Researchers recently analyzed and processed the recording, which includes the voices of people in the room, to restore the original sound of this founding artifact of the age of digital music.

 

To read in-depth about the recording, go to "Digging up Digital Music."

 

Recreating a Renaissance Song

Wednesday, June 07, 2017

After archaeologists in France unearthed a schist plaque inscribed with a sixteenth-century musical score, they turned to soprano Dominique Fontaine to decode the notes. Fontaine, a member of the musical ensemble Ad Lib, which specializes in sacred music, recorded her interpretation of the brief chant.

 

To read more about the discovery, go to “Renaissance Melody.”

 

A Community's Roots

With Frederick Douglass’s help, the past and present come together on a Maryland

By SAMIR S. PATEL

Thursday, February 02, 2017

Wye House Douglass

Originally published in the November/December 2006 issue

 

In Talbot County, Eastern Shore, State of Maryland, near Easton, the county town, there is a small district of country, thinly populated, and remarkable for nothing that I know of more than for the worn-out, sandy, desert-like appearance of its soil, the general dilapidation of its farms and fences, the indigent and spiritless character of its inhabitants, and the prevalence of ague and fever. It was in this dull, flat, and unthrifty district or neighborhood, bordered by the Choptank river, among the laziest and muddiest of streams surrounded by a white population of the lowest order, indolent and drunken to a proverb, and among slaves who, in point of ignorance and indolence, were fully in accord with their surroundings, that I, without any fault of my own, was born, and spent the first years of my childhood. —FREDERICK DOUGLASS, Life and Times of Frederick Douglass (1881)

 

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Under the boughs of a huge tulip poplar, buried among clumps of roots and piles of oyster shells, is the brick foundation of a building, a remnant of a once-thriving slave community. For 18 months in the early nineteenth century, it was home to a young Frederick Douglass, the future African-American statesman, diplomat, orator, and author. Here, at the age of seven or eight, a shoeless, pantless, precocious Douglass first saw whippings and petty cruelties. Here, he first realized he was a slave. “A lot of the horror that comes through his autobiographies is grounded in those months that he was there,” says James Oakes, a historian at the City University of New York who is working on a book about Douglass’s relationship with Abraham Lincoln. The modest excavation at Wye House Farm, a 350-year-old estate on Maryland’s Eastern Shore, has yielded sherds, buttons, pipe stems, beads, and precious knowledge about everyday slave life, and is allowing the descendants of that slave community, many of whom live in the nearby rural African-American town of Unionville, to reclaim a lost cultural hertiage.

 

A team of archaeologists and students started digging here in 2005 after archaeologist Lisa Kraus proposed the dig, on the basis of Douglass’s descriptions of the site, to Mark Leone, director of the urban archaeology field school at the University of Maryland. Before beginning the excavation, Leone approached St. Stephen’s African Methodist Episcopal Church, the social and religious center of Unionville, to ask what the people of the community wanted to learn from the archaeology. “You should ask the people who think it’s their heritage what they want to know about it,” Leone says. “The answers automatically dissolve the difference between then and now.” This, he adds, is the heart of social archaeology, working with descendant communities and understanding that the past and present inform one another. The people of Unionville wanted to know about slave spirituality, what remained of African life, how the owner of the slaves did or did not support freedom, and how slaves found the strength to survive. They are questions a single dig is unlikely to answer, but they have opened an avenue of dialogue between the archaeologists and the people to whom their work matters most.

 

A sharp, fetid smell wafts off the nearby cove, where swarms of insects form a halo over still water. Leone, a tall, fair anthropologist who has spent his career studying class and race in the historical landscape of Annapolis, speaks slowly and deliberately. “What we have discovered is there’s archaeology everywhere,” he says, as a team of students profile and photograph the site under the tulip poplar behind him. “We’ve only scratched the surface.” Waving his hand across the rolling landscape bordered by the cove on one side and a farm road on the other, he explains that it was once all part of a slave community buzzing with activity.

 

Leone and Kraus, a graduate student at the University of Texas, have for the last two field seasons led this dig, which is on the grounds of a grand plantation that has been, and still is, privately owned by one family—the Lloyds, one of the founding families of Maryland. The team so far has uncovered three structures packed with domestic and commercial artifacts of slave life, and they expect to find more next season.

 

Mary Tilghman, the Lloyd family matriarch and eleventh-generation descendant of Edward Lloyd, who settled the property in the 1660s, receives guests in the well-appointed, hunting-themed south parlor of the estate’s late Georgian mansion, just a hundred yards or so from the dig site. Tilghman, a proper yet lively woman of 87, dressed in a long khaki skirt and collared blouse, has piercing blue eyes and pale skin like creased parchment. She taps her aluminum cane on the hardwood floor as she speaks. “I think it’s fascinating and I think seeing something, rather than assuming something was there, that’s intriguing, This is probably a very foreign culture to a great many people.”

 

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